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James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?动物世界血与水 第四季魔装传说血战落魂桥全世界都不如你名门绅士2 淑女之心之二血与水第二季阿尼库拉波：不死传说亚里安杀手·蝴蝶·梦苏菲的供词黑白人间真实的人类 第二季脉冲第一季自然之子新飞越比佛利第一季阿虎国语受害者幻灭嗜血法医第一季安吉琳第一季深海异形1989爱的痕迹未来战警少年魔法师 第三季卖命2018死亡半径科学怪物奇幻人生妈妈别怪我泰坦尼克号东方剑亚历克斯与艾玛纵横千里之一发千钧决币断林镇谜案第三季于成龙向上法律与秩序：组织犯罪第四季青春之旅 第二季开涮吧100英亩的地狱千阳湖畔苹果红2
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?动物世界血与水 第四季魔装传说血战落魂桥全世界都不如你名门绅士2 淑女之心之二血与水第二季阿尼库拉波：不死传说亚里安杀手·蝴蝶·梦苏菲的供词黑白人间真实的人类 第二季脉冲第一季自然之子新飞越比佛利第一季阿虎国语受害者幻灭嗜血法医第一季安吉琳第一季深海异形1989爱的痕迹未来战警少年魔法师 第三季卖命2018死亡半径科学怪物奇幻人生妈妈别怪我泰坦尼克号东方剑亚历克斯与艾玛纵横千里之一发千钧决币断林镇谜案第三季于成龙向上法律与秩序：组织犯罪第四季青春之旅 第二季开涮吧100英亩的地狱千阳湖畔苹果红2