爱情故事2009

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主演:江若琳,文咏珊,何浚尉,徐正溪,

类型:电影地区:香港语言:粤语年份:2009

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 剧照

爱情故事2009 剧照 NO.1爱情故事2009 剧照 NO.2爱情故事2009 剧照 NO.3爱情故事2009 剧照 NO.4爱情故事2009 剧照 NO.5爱情故事2009 剧照 NO.6爱情故事2009 剧照 NO.13爱情故事2009 剧照 NO.14爱情故事2009 剧照 NO.15爱情故事2009 剧照 NO.16爱情故事2009 剧照 NO.17爱情故事2009 剧照 NO.18爱情故事2009 剧照 NO.19爱情故事2009 剧照 NO.20

 剧情介绍

爱情故事2009电影免费高清在线观看全集。
阿Ling自幼患有白血病,个性乐观的她,不把一切放在心上,唯独生命有限期的她,一直将所爱藏在她心底,亦不将病情告知好友Rex及小樽小樽自小跟妈妈从内地到港靠卖鱼为生,个性内向的小樽不擅表达自己,与阿Ling的性格是一冷一热,却成为互相关心的好朋友。小樽对Rex有好感,Rex却没有表示,而小樽也没有发现另一个男生阿曦正默默爱慕着她。这么多年血战第二季红色警戒2017扒手1959卡拉马利联盟探灵档案辛亥革命 (国语版)鲛人传说之人间情吉尔达黑天使 1杰西卡·琼斯 第一季女人的村庄乡愁1983最后的日子2005禽兽超人第三季玻璃樽爱情游戏魔神Z暴力刑警(粤语)WTO姐妹会谍影追凶2023牧师神探 第七季绝地战警蔓延的山艾树登山家回声2021后备空姐不觉得说博多话的女孩子很可爱吗明天记得爱上我粤语福尔摩斯:基本演绎法 第二季节食王国第一季前度(粤语版)圣雷莫记忆北方有佳人下一球成名2023纯真的记忆迷幻特警阳台上郊狼大雨将至2021被告护士起势摇滚

 长篇影评

 1 ) 戆吼吼哦

这个阴谋论拍滴有点蠢,michael moore是一个典型的思路混乱,又喜欢哗众取宠滴美国佬。话说我虽不偏向拥有话语权的权贵,但是一直认为对于穷人,尤其是那些只会抱怨为富不仁,整天期盼着免费午餐的穷人,也没什么好同情的,话说可怜之人必有可恨之处。。。

只不过在中国,情况又不一样。中国国民素质低下的根本不是穷人,而是那帮自恃为精英,占有着社会资源却又不履行相应社会责任的黑领们。。。哎哟,开始愤青了。。。

什么是聪明的阴谋论,可以去看一下Zeitgeist,绝对会带来一个paradigm shift.

 2 ) 哦,美国人失恋了

去年的九月,我们正坐在商学院里上课,教授走进来说:上课之前,请大家看看今天的日期,记住它。
那天,雷曼宣布破产,美林宣布被美银收购。那天,华尔街再一次成为世界的焦点——一个巨人笨拙地倒下,发出一声闷响,掸起一地尘埃,围观者心惊,无助地捂着眼睛抓着头发,半响说不出话来。

资本主义,自由经济,deregulation,还有,American dreams.
这就如同一场盲目而执着的恋爱,你爱得深沉爱得义无反顾爱得连自己都被自己感动了,然后突然有一天,你发现,你爱的这一切,你并不真正了解。

对,麦克摩尔就给我们讲的是这个盲目而别致的爱的故事。

我和一群女朋友,一群在商学院挣扎着理解教授们关于金融衍生产品的定义和期货期权以及其他充满创造力和想象力的金融产品的价值衡量等“学术”概念里转来转去的我们,对金融业充满着憧憬和初生牛犊不怕虎的傻气的学生们,坐在电影院里,听麦克摩尔给我们讲这个故事。

多生动啊。

和恋爱一样,这样一种爱,对体制的爱,是不能完全分清青红皂白的,是不能pin point说真的谁就evil谁就不是了。对,你可以说那些银行“欺负”了贫民,你也可以说,那些政府官员为了自己的利益,自己集团的利益,一部分程度上滥用了纳税人的钱。但是,这是一部分程度上。你不能不说的是,什么样的经济大背景下,那些决策者面对的压力和大局的考量——事发之后总要有人来收拾,收拾必然会出现资本的分配,分配就有不均。而且,人渣哪里都存在。我们为那些失去家园的贫民们表示悲哀。但如果说这就是资本主义的错——至少摩尔先生认为如此——那么,你能找到任何一种体制,一种经济体制,能够解决贫富差异的问题么?哦,别告诉我是共产主义,政治教科书上说,那是一种理想。
这理想就像永恒的爱情一样,是一种古老的传说。

美国人民信仰资本主义,信仰美国梦,就像投入一场恋爱。
于是这是美国人民,尤其是美国平民的一次失恋。
而且似乎还是初恋失恋,于是痛得这样深刻,悲恸地让人叹息。

作为观众,我要说,摩尔把这一场失恋描述得细致而深刻。
作为半个“业内人士”,这就像是一堂道德课。
而作为一个曾经在美国呆过,接触过那些中低层美国人生活的我,摩尔带给我自己的“美国梦”冲击也着实不小,把自己观察到的和在影片中看到的,由一个一个点连成了线,连成了画面,连成了我更加真实的认识,它们矫正着我的憧憬,带来了前所未有的思考。

最后,作为一个在不同制度下接受教育的留学生,由摩尔纪录片得以上映,并拿到如此多的材料和愿意透露姓名站在摄影机前做一名“目击者”的这件事本身,带给我的冲击更大。

美国人虽然失恋了。
我们却全可以从这失恋中学到这么多。
这是任何一场失恋能带给我们的——不是得到,就是学到。

 3 ) 老麦的左愤

Michael Moore还是麦氏的风格。看过片子,上豆瓣看了看评论,发言者寥寥,好在评分不错。

相比三枪和花木兰这样的片子,这部片子很难触动豆油们的萌点。毕竟来豆瓣论左右,哇,太意识形态,也太不 douban-stylish 了。

有人说,这是美国人的事情,老美觉醒了。有人说,靠,摩尔又在拍这种“伪纪录片”了,太意识形态。还有人干脆直接攻击说,哼,就是一左派嘛!没人爱看老愤青,好在是美国的;没人喜欢偏激,好在我们都知道摩尔拍的是“伪纪录片”。

我不知道讨论一种名为“资本主义”的社会建构和价值体系,有什么客观的方式?也不知道,在如今的中国,左派已经变成什么又丑又土又愚蠢的“妖魔”。好歹这里还有一个人敢于在美国这个谈社会主义色变的话语氛围中批评并探讨另一种可能性,好歹这是一个真的值得更多人去关注和探讨的“未来该如何”的真问题。

老麦知道,资本主义作为一种经济制度与民主作为一种政治制度与程序规范不是一码事儿,甚至美国和资本主义也曾经不是一码事儿。意识形态中无所不能的自由市场经济在今天的世界早已名存实亡。

但在中国,曾经是另一种更美好社会试验田的土地,很多人已经不知道这个常识了。所以,我们都相信,今日的美国是我们的better Golden day。

老麦是不太可能超出美国思维了,所以他能找到的正面例子是欧洲和日本,反面例子是苏联和mao中国。

正如,我们也不太能超出我们的中国思维一样,所以我们能找到的正面例子是美国,而反面例子,呃,大概就是还不够“美国”的中国吧!

想起一句话戴锦华老师的一句话,没有一笔历史遗产不是债务,也没有一部历史债务不是遗产。在历史的债务与遗产面前,我们不怕伪纪录片,怕的是连问题都不再能触达的虚无。

ps 有时候豆瓣很烦,很娘娘腔





 4 ) 我拒绝留下,我不要离开

我想我在精神上某处应该是上升了一个层次,如果我开始为了记录片而不是剧情片流眼泪的话。

只是,作为一个不跟经济专业沾边的局外人,一个流离在美国的异乡人,为了被腐蚀的美国梦大放悲歌,难免有些自作多情。我怀着这样又激动又惭愧的情绪无处抒发,因为我知道,无论是已看过的还是将要看的,说它好还是说它坏的,很少再会有人跟我有一样的感触了。

五星给Michigan。

影片一开始,他说我生在Flint, Michigan, GM的总部所在地。这个时候我身在Dearborn, Michigan, Ford的总部所在地。我在这里三年了,三年间我无数次地听人说,不要去东边的底特律啊,那是美国最乱的一个城市;也不要去北边的Flint啊,那是美国第二乱的城市。我们是异乡人嘛,听到这些话的时候只需要乖乖地做出惊恐的表情,而不用体会他们背后的悲凉。我也无数次听人说,以前这里如何是美国的工业重镇、经济支柱,福特大楼如何风光,底特律大街上人潮熙攘。异乡人,我们同样只需要叹息一声“来的不是时候”,所有属于他们的悲哀、痛惜就由他们去吧。

可是影片里的michigan看得我心痛了。那些废弃的工地,破旧的遗址,那些被赶出家门的大胖子工人看得我心痛了。我从来不知道长成一个大胖子,笨重地搬着家具,放火烧掉,然后低低地骂着人,有这样让人心痛的力量。

给Michael Moore。

都说他是主观的纪录片导演。可我热爱他固执的主观。啊,他也是一个大胖子,在美国随处可见的那一种,拥有撼动人心的力量。我喜欢他的叙事方式,怎么严肃也遮掩不住的幽默,对经典轻轻的致敬和重重的玩弄。至于他身上那些刺眼的永恒存在的激进,大抵是真的勇士才能做得出的。作为旁白的声音也很好听,胖子都有好听的声音。

在底特律中心的大楼下,他被警卫拦住,他说我是Michael Moore,我拍了这么多年的电影还从来没有说我哪里不能进;他拖着他肥胖的身躯在华尔街拉上犯罪现场的拦幅,拿着大喇叭喊你们都是罪犯。我不禁在想中国的名导们都在做什么。嗯我听说了,他们在拍纯爱文艺片和所谓灾难伦理片。意义在哪里?力量在哪里?我们不需要更多温情了啊。

给Blockbuster。

有一件伤心的巧事。我家电影一直是在Blockbuster租的,这部也不例外。我租下这部不久,就突然有人告诉我Blockbuster,美国最大最老资格的影片出租公司,申请破产保护了。我对破产的Lehman Brothers没有过什么感情,对GM也没有太多感情。在金融危机这么久以后,Blockbuster成了我最不忍卒读的一个。我常去那里租电影,因为他们有很多家门店遍布周围,更因为他们有异常热心的店员,总是忙不迭地过来跟我们介绍电影,比冷冰冰的寄来寄去的Netflix好很多。遇到的每一个人都看起来那么乐观,那么健谈,啊,还有,喜欢Denzel Washington和Leonardo DiCaprio,每个人都是。我总想,他们是因为经常看电影才这么心情舒畅呢,还是心情足够舒畅了才被招来做店员?

这件事情以后,我似乎不敢再去那里了。我怕看到任何忧伤的面孔,或是紧闭的门,或是不再出现的人。我只有把看过的电影默默寄回去,再等着下一部默默寄来。

给所有拒绝留下又不要离开的人。

影片最后他说,I refuse to live in a country like this - and I'm not leaving. 我不要在这样一个国家生活,可我不会离开的。拒绝留下又不要离开,这是每个深爱这片土地的人的困境。我看到更多更多的人,愤怒着,叫嚣着,辱骂着,却更安心地留着。

给你们。

 5 ) Carpe Diem

The other day I was watching Real Time. As usual, Bill and his panel - Arianna Huffington and Andrew Sorkin in this case - talked about how the Corporate America, especially those financial elites, rip off the hard-working middle class people and get away with it with tons of taxpayers' money in their pockets. As the heat mounted, it is, of course, inevitable to raise doubts about and criticize the existing system. Then, all of sudden, I was shocked, and partly amused, by how these spouts resemble what we have been preached throughout our education. Greed, exploitation, and ultimately the populist revolt. This type of rhetoric sounds no strange to us; for this is what we are expected, if not ordered, to believe in. And yet, to the American people, particularly the younger generation, it sounds just as exotic and remote as a fashionable historic curiosity.

There are more of these moments to find in Michael Moore's documentary, Capitalism: A Love Story. Jimmy Carter's presidential statement that "we are at a turning point in our history" in that "human identity is no longer defined by what one does, but by what one owns" called for the very same thing the Eight Honors and Eight Disgraces is intended to. The only difference here is that one has perished amid the laissez faire spree triggered by the president's successor, while another is ongoing in an emerging superpower experiencing an astounding economic growth and faced with increasingly polarized distribution.

Carter also rightly decried that "too many of us now tend to worship self-indulgence and consumption". Ironically enough, this is exactly where Ronald Reagan thrived. By cutting taxes by a enormous margin, by packing those ideas that Carter hated and warned against into the doctrine of capitalism and the almighty power of the free market, the Republican president created a robust consumption-driven economy and garnered tremendous popularity. Historically, this was also a significant period of what Walter R. Mead, an advisor to Henry Kissinger, described as the breakdown of the blue model. Union power declined, competition intensified - just as Michael Moore lamented in the film, it was not an easy time for everybody. However, the cosmetic served well. With new policies well implemented, economic index responded with great numbers. So did the stock market, so did the financial sector; and so people say of the economy and the president's legacy. Indeed, it was the best of times, it was the worst of times.

But this does not solve the moral problems incurred by the ever greater gap between the wealthy and the poor. In an electoral democracy, for a policy, or more precisely -- an ideology to become legitimate it has to promote the core ideas that have been deeply rooted in this nation ever since its foundation - well known as the "American dream" - which, in its simplest form, requires two most basic elements: freedom and equal opportunities. Of course, it is no difficulty to claim freedom in a capitalism for it is already a "free market", but the concept of "equal opportunities" is not an easy case. How could everyone be equal in a system in which more capital could be gained out of capital itself? How is deregulation supposed to promote equality when the ones with more wealth is granted with access to more influence, and hence even more wealth? This is where the economists, along with their terrifying-sounding jargons, weighed in. Drawing on one after another premises that are too good - and too simple - to be true, they derived elegant models functioning perfectly in equilibriums yet inherently inconsistent with reality. But politicians, as they always do, conveniently neglected those flaws in nature and with the help of speechwriters blended the pretty conclusions into their exciting orations. The "invisible hand", what a tempting yet handy idea - it's like finding the key to the ultimate mystery of the universe - sparing us the tedious thoughts of how our society and economy really work, develop, and interact with fast changing circumstances. Capitalism and the free market, as the Cold War ended in the collapse of the Soviet Union, soon earned their unchallengeable status in the realm of economic expertise. This, I firmly believe, is the ugly but real side of the truth: people blindly come to believe in those slogan-like theories not because of prudence, but because of laziness; for it is the one of the most common human nature of us to see what we want to see.

But, how about the immoral and unchristlike worship of "self-indulgence and consumption"? It indeed sounds like a righteous warning, doesn't it? Let me put this in relatively vague words for the sake of a bit wit here. When people see and hear of the media promotions of smoking elaborately plotted and sponsored by big evil tobacco companies, as depicted in Hollywood products, in either an upbraiding or a nostalgic way, they easily buy it, assuming that's what surely is bound to happen, as though the condescending liberal media elites just reclaimed their integrity out of blue. Nonetheless, contradictory to the common ground that government and politicians are evil, hypocritical, or, at best, incompetent, when it comes to massive political propaganda people easily get dismissive, disdainfully calling them conspiracies. Anyway, were those speculations to have been true, you have got to give applause to the gentlemen behind the curtain, for they can somehow manage to manipulate people to do and believe in things that are obviously against their own interests. It is truly a tour de force, works like magic.

Back to the film, and the ideology talk partly thanks to its title. It is amazing how frequently and strongly Michael Moore stress the term "socialism". And not in a Cold-War-minded way, but in a progressive and advocating way. So advocating that it proclaims socialism is the unfulfilled dream of FDR. So, how does the landscape really looks like in the US? Is it as biased as either side insists? Trying to answer that question, another popular liberal president, Jed Bartlet, would probably say, "Give me numbers." Fair enough. Let's take a look at them:

http://filer.blogbus.com/4598556/45985561268749559s.gif
http://filer.blogbus.com/4598556/45985561268749552q.gif

This poll was conducted earlier this year. It shows that, significantly, though 58% of Americans still maintain a negative image of socialism, among Democrats and leaner a majority of people share a positive one, and that majority grows even bigger when it comes to liberals, topping the "supermajority" threshold at 61%.

Also underlined in the film is Barack Obama's ascendency in polls during the '08 presidential election, which Michael Moore arbitrarily attributed to the underlying socialism in his rhetoric and agenda. It is easy to commit the mistake of post hoc ergo propter hoc, but the exhilarated crowd was real and hard. Young people, with their compassion and idealism yet to fade, are known to be the main components of the liberal base. This hypothetical electoral map below demonstrates that fact convincingly well:

http://filer.blogbus.com/4598556/45985561268757624r.jpg

These results altogether illustrate a sharp contrast with that across the Pacific, where the pro-capitalism outrage amid the young is burgeoning seemingly as fast as the economic growth. The bottom line is that it is widely acknowledged that China's economy and growth model are in fact ill and flawed, but is capitalism the solution to all our conundrums? I am too often astounded by the extend to which some of our professors and pundits, who are supposed to think and analyze in a much more comprehensive way, appear so naive as to blame many problems on the markets not being open, free, and in essence capitalist enough. The contemporary history of the US has already showed the idealistic promises of capitalism that everyone shares an equal opportunity to work his way into the upper class are nothing but a fantasy; in reality, it is never in its purest form but other derivatives, namely, crony capitalism. Which does little good to the society as a whole but quite the opposite, creating even more inequality in the long run. In an economy that is strong and hence resilient to tentative turbulences so long as the marginal well-being stays positive, it might take decades for a bubble to burst. Nevertheless, in an over populated nation governed by a young regime dealing with various inherent social tensions, it could lead to catastrophe.

So, what does all this imply? Should we just entirely reject the Western philosophies as merely historical blunders? Of course not. To me the very point here is that we are bestowed - in an ironic way - with this dual perspective on the nature of human society, in terms of how social progressivism driven by different values eventually converge at promoting human equality and how dogmatism could be manipulated to impede that momentum and ultimately undermine our integrity. For a nation in the face of a seemingly unstainable economy, for a people shadowed by a wobbling ethical system, this is an utterly important issue.

 6 ) 它的时代性,值得每个人去关注

Michael Moore对于美国,大概相当于台湾的李敖。欣赏的他们的原因也是一样,言论虽然极端,但是背后总是有一大堆数据和文件来佐证。何况现在的社会,太缺少这样的声音了。我猜导演也不把自己当成一个纯粹的电影工作者。而同样的,我们几乎不能用一般的标准来衡量这部电影。

作为一个金融工作者,我目击了两年半来市场神奇的变化。世界末日曾经来过。我们可以如此健忘,难怪历史一直重复。又或者你无知到都不曾感觉到世界末日来过。就好像开始工作之前我也对LTCM一无所知,对房地产市场毫无兴趣。如果你像我曾经那样无知,请看这部电影,你会知道一些你应该知道的事情。比方说雷曼兄弟的倒闭来自于同为犹太人投行的劲敌高盛在华尔街的散播谣言。比方说AIG被美国政府解救高盛丝毫没受金融危机影响反而比从前盈利更高的主要原因是高盛与美国政府高层的密切关系。就好像LTCM事件一样,为华尔街买单的是老老实实的交税人。

百分之一的人控制百分之九十五以上的财富,这就是资本主义,没有道德可言。从个人的角度,我们总是可以尽量保证自己不是最严重的受害者,但是总是有人会受到伤害。而制约伤害的方法真的是民主吗?

给了5颗星,是因为它的时代性,值得每个人去关注。

 短评

利用剪辑灌输自己观点,这一点上,他做的很好

7分钟前
  • 扭腰客
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还以为有多谴责,结果也只是批判一下前几任政府,寄希望于奥巴马。我几乎要认为这是奥巴马的政治宣传片了。另:房屋被没收,难道就没有平民过度透支的恶习起作用?我看不见得。Pussy!纪录片带了政治目的,就成了一坨烂货。

11分钟前
  • 光年‖影视歌三栖民工
  • 较差

an insane casino

13分钟前
  • 贾小宁
  • 力荐

迈克摩尔是美国艾未未,除了他喜欢编造谎言之外,更大的区别还在于他生在了一个值得爱的国家。在我们这个无偿献血的地方,没有爱情故事,只有悲伤和愤怒。

17分钟前
  • 草威
  • 还行

大坏胖子著名搅屎棍Michael.Moore再次袭来!

20分钟前
  • 蚂蚁没问题
  • 推荐

哪种主义都不是百忧解

21分钟前
  • 皮皮鲁西西
  • 还行

一直挺喜欢Michael Moore讽刺的调调,这位老喜欢找茬的美国佬,应该觉得批评政府也是爱国的一种表现吧。

25分钟前
  • 推荐

不管摩尔政治观点怎么样有无漏洞,当年如此支持奥巴马有没有被打脸,“独立党派”桑德斯现在变民主党是否尴尬等,他确实是个把娱乐和叙述结合得非常好的导演,适当插入各种表情包一样的段落令人怀疑他是否经常在油管看恶搞视频😂,事情讲清楚了,也并不卖惨或过度煽动。当然一部电影肯定是不够的

26分钟前
  • 米粒
  • 推荐

片尾曲是摇滚版《国际歌》,观众起立鼓掌。估计中国人不会喜欢,因为他们爱的并不是美国,而是资本主义;Michael Moore爱的是美国,不是资本主义。

27分钟前
  • 小白小白不要慌
  • 推荐

美国的可怕之处在于总有人能提出反对意见, 在良性循环中找到潜在的危险. 或许 Michael Moore 有点哗众取宠不招人喜欢. 反思国内, 我们的工会我们的权利在哪里?

29分钟前
  • SilentTyler
  • 力荐

摩尔是我见过当今最有社会洞见的导演,虽然很多地方有心无力,甚至方向偏颇,但仍然具有很大的社会意义,因为摸索是一个过程,试想如果全世界人民都能够清醒的辩证的去思考这个世界的运行,那么人类才会迅速的发展,苦难将会减少,社会合规律性不可违背,但历史任务需要做的就是调动人民的主观能动性…

32分钟前
  • iceman
  • 力荐

plutonomy,资本主义能让你无所不能,你想为太阳申请专利吗。。把民主和资本主义对立是有问题的。。。麦克默你敢再激进点么

33分钟前
  • 琧婯
  • 推荐

胖子的表情!!

38分钟前
  • 后端开发鸭先知
  • 推荐

摩尔的人道主义关怀 - 区分capitalism & democracy. 资本主义是邪恶的, 只有民主是好的. 但是, 没有资本主义做基础的民主究竟是真正的民主吗? 纯粹的民主根底上只能是理想. 太多国家假民主却真贫穷. 效率与公平本身就是极难达成的平衡......

40分钟前
  • vanessa
  • 力荐

没有在一个国家的理想与现实节节滑坡的惨象前一蹶不振,保持了积极的社会变革基调,仅就这一点便向Michael Moore致以崇高的敬意。不足是对解决问题的方法有所模糊,依然使用了“民主”这个模糊的概念。其中对Co-op的刻画极有启发,可继续展开。

42分钟前
  • 艾小柯
  • 推荐

这片子不是给平头百姓看的。

43分钟前
  • 小子
  • 力荐

虽然我是个右派,但麦克摩尔这个大胖子总是能让我变得感性起来。

46分钟前
  • Minjie
  • 推荐

每次看完迈克摩尔的电影,想到的第一句话总是“中国人民此刻内牛满面”

48分钟前
  • 影熟人
  • 还行

1、迈克·摩尔做小题目,比如911,或者医保问题,得心应手,这个题目太大,他自己也不明白或者是装糊涂,着实驾驭不了。2、前两部还好,这一部里摩尔的“社会行动”/个人秀看起来着实地臭傻逼。3、没解决的核心问题在于,为什么富人富穷人穷,以及片中现象如何形成,没有解释,只有仇富和煽动

51分钟前
  • 胤祥
  • 还行

麦胖果然是红色阵营派到西方的奸细,他老拍一些《新闻联播》最爱放的东西——即美国人民都生活在水深火热之中

53分钟前
  • shawnj
  • 力荐