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THE HOURGLASS SANATORIUM
We’ve almost arrived.
How will I get there?
You’ll find the way.
You don’t need help.
I’ve come a long way.
I booked a room by telegram.
Who can I see?
Everybody is sleeping.
I’ll tell the doctor when he wakes up.
Sleeping?
It’s daytime not night.
They sleep all the time.
You didn’t know?
Night never comes here.
You can wait downstairs.
In the restaurant.
The doctor will see you now.
Where is he?
We received your telegram yesterday.
We sent our coach to the station.
You must have arrived
on a different train.
The station?
We don’t have a good train connection here.
How are you feeling?
Is my father alive?
Of course.
I mean to an extent
allowed by the situation.
You know, just as I do,
that from the perspective
of your home, your country,
you father is dead.
This cannot be fully reversed.
His death casts a shadow
on his existence here.
But he doesn’t know or suspect?
Don’t worry.
Our patients don’t suspect anything.
They can’t.
You probably want to see your father.
I’ll take you there.
We reserved a bed for you
in his room, as you requested.
The trick is that we moved back time.
Time is late here by an interval
which I can’t precisely define.
It all boils down to relativity.
Here, your father’s death
hasn’t occurred yet.
But he met with his death
in your country.
So my father is dead.
- Or is close to death.
- You don’t understand.
We reactivate past time
with all its possibilities.
Including recovery.
We let our patients sleep
for a long time.
We spare their vital energy.
They have nothing better
to do anyway.
Why don’t you lie down?
There’s nothing more
you can do now.
Goodbye.
Goodbye.
I came to talk to you.
Go on.
Why are you spreading lies
and gossip about father?
- What lies?
- I know you’re behind them.
I didn’t lie.
You remember how he went
missing for many days.
He avoided us.
Who knows whether
he’s still alive somewhere?
I have to know the truth.
Stop tormenting me.
It’s hard to communicate with him.
How can I cope
with everything myself?
How can I answer questions
which God keeps asking me?
It’s too much for me.
His complaints terrify me.
- Don’t cry.
- I have a migraine.
You won’t go to school today.
To school?
Mom, I’m not a little boy anymore.
Yes, you are.
You’ve got ink on your hands.
Your knees are bruised.
You’re a naughty, unruly boy.
You hang out
with God knows whom.
Wake those good-for-nothings.
It’s time to open the shop.
- But I’m sure...
- Stop tormenting me.
I told you that your father
travels around as a salesman.
Sometimes
he returns home at night
only to go off again before dawn.
I’m sure he’ll come back.
You’re tossing and turning
like fish out of water.
- You sleep a bit, doze off a bit...
- Yawn a bit.
And you rest again.
You should learn wisdom
from an ant, lazybones.
An ant? Go to hell.
That ant of yours knows
no teacher, boss or shegetz.
And it’s doing fine.
What’s he talking about?
I walked the fields of a lazy man.
I walked the vineyards
of a stupid man.
Where is that from?
Our Lord didn’t say that.
Don’t listen to it!
Nettles grew over everything.
Thorns covered his land.
And the stonewall
collapsed to pieces.
Clap your hands
and call out His name
while rejoicing.
Call out his name to the sounds
of songs and trumpets.
Praise Him with harps,
praise Him with lyres.
Praise Him with the drums
and dancing.
Praise Him with stringed
instruments and horns.
Praise Him with the cymbals.
Praise him
with loud clanging cymbals.
Let everything that
has breath praise the Lord.
Alleluia.
Clap your hands and sing.
Sing.
Sing wisely.
In a dream he saw a ladder
that reaches from earth to heaven.
And God’s angels
were going up and down on it.
Is it possible?
It’s our little Józef!
Did you get lost on
your way to school?
Well?
Rascals! They’re everywhere.
When I want to go down
to get bread in the morning,
I can’t even....
...open the door.
They squeeze through cracks.
And try to get into the kitchen.
They ogle me.
They can hardly wag their tails.
They’re overjoyed
when they see a fire.
They clap their hands
and dance like savages.
They’re hopeless
at putting out fire.
But they like to celebrate.
- Who are you talking about?
- Those idle firemen.
They get lazy in autumn.
They sleep while standing.
I think you’re prejudiced.
They’re nice boys.
An old stove-fitter told me
that when he repairs chimneys,
he finds them attached
to the smoke vent,
motionless like the larvae.
They sleep like that being
drunk from raspberry juice.
And they whine in their sleep:
"Sugar, sugar".
If I glance at one of them,
his face swells and becomes
obscenely red like a turkey.
I heard that it’s a way
of strengthening the inner self.
And rejuvenating colours
when firemen eject fireworks,
rockets and Bengali lights.
I won’t give them
any juice anyway.
I didn’t ruin my complexion
hovering over the stove to make it,
so those rascals could drink it.
Unfortunately, Adela,
you never understood things
which go beyond the mundane.
Look.
Is it possible to grow hair
to the ground?
You look so different.
Just wonderful!
The captain of rascals!
"I, Anna Csillag, born in Moravia,
had poor hair growth".
I wish I had hair like that.
Would you like some water?
- With raspberry juice.
- No, thanks.
Too bad.
Her poor hair growth
was divine retribution.
But prayers and penance
took the curse off her.
She was graced with enlightenment.
She received signs
and made this miraculous remedy.
Look.
These are her brothers,
cousins and brothers-in-law.
Who’s he?
Another brother-in-law.
She made a whole town happy.
Really?
"Elsa. The fluid with a swan".
It’s a balm for all afflictions.
It works wonders.
Where did you get this book?
It’s been here all the time,
scattered around.
"Smoke all you want".
"Sexual Neurasthenia".
"Gramophones".
You silly thing.
We use its pages to wrap meat
and your father’s lunch.
It’s degradation of an original book.
You’re late.
There’s no more juice.
I have some rose preserve.
It’s not bad.
Adela!
- Try it.
- Thank you.
- It’s not a preserve.
- So what? It tastes sweet.
Is your name Jakub?
No, I’m Józef.
Jakub is my father.
I see.
Can you come out?
We can’t talk like this.
- Excuse me.
- It’s all right.
I have a valuable delivery.
Where can I find your father?
I’m looking for him myself.
Allow me to introduce
Honduras and Nicaragua.
Come closer.
It’s spotted.
That’s right.
It’s perishable.
- Birds of paradise?
- Not only.
For hatching, it’s best to let
Belgian hens sit on them.
Or you can do it yourself.
I think I see your father.
Over there!
Don’t you think he’s behaving
in a strange way?
He’s demonstrating.
Father!
Father...
You should beware of things
like narrow-mindedness,
pedantry and blind literalism.
Have you noticed that
in some books flocks of swallows
are flying between the verses?
Stanzas of swallows.
You should learn to read
from the flight of these birds.
Father. I have to tell you something.
It’s a secret.
I found an original.
- An original?
- Yes.
Look.
It’s worthless!
It’s a book!
It’s just a myth.
A book is a myth
we believe in when we’re young.
We stop treating it seriously
as we get older.
Books live a borrowed life.
Every book has a moment
when it soars into the air like
a phoenix with its pages on fire!
Look.
We love them for that moment.
But they turn to ashes.
Thank you.
Why doesn’t anybody
offer goldfinch?
Where?
A book is a myth, my son.
It soars into the air
like a phoenix.
Hyderabad.
Guatemala.
Tasmania, San Domingo.
Sierra Leone.
Labrador, Barbados,
Trinidad, El Salvador,
Borneo, Sumatra, Pernambuco.
Hiporabundia.
You’re talking nonsense.
You could say Panfibras.
Haleiwa, Abracadabra.
Why do I get the feeling
that I’ve been there before?
A long time ago.
What if we know all landscapes
that we come across in life?
Can anything new happen?
Something we can’t sense?
Do you hear me?
I want to know if all this
could have happened.
Answer me.
Did it happen or not?
Yes and no.
There are some things
that can’t fully happen.
They are too grand and magnificent
to fit into an event.
They just try to happen.
Tell me if they really exist.
She did exist.
And nothing can
take away my certainty.
Don’t be afraid.
She can’t hear us.
It’s my dead mother,
she lives here.
She’s inhabited by ghosts,
phantoms, larvae and chrysalises.
Helpless and naive,
she takes them into her dream
and sleeps with them.
She wakes up half-conscious
at dawn and remembers nothing.
That’s why she’s so sad.
She has to live so many lives.
Do you know a story
that time cannot change?
There is one that
you haven’t heard.
It belongs to the night.
Will you find the patience
to listen to it?
Somebody will walk
across the sky,
cuddling a baby in a coat.
Constantly on the way,
on a endless journey.
He’ll pass us with long steps.
That’s what’s going to happen.
Over and over again.
Bianca, you can count on me!
Till the last drop of blood!
Well?
It’s a riddle.
What about her?
She’s all grey.
The touch of her hand must
be beyond imagination.
What did you see there?
Something colourful,
colonial terrifying.
Abductions, pursuits, betrayals.
It’s a story about an abducted
and switched princess.
You’re making it up.
Java.
Sumatra.
Borneo.
I can appoint you as coregent.
Anonymously.
Together with the stamp album
we’ll form a triumvirate.
We’ll be responsible
for this unsolved affair.
With the stamp album?
What a naive question.
It’s a universal book.
A compendium of knowledge
about human life containing
allusions and understatements.
This story will be interspersed
with dashes, ellipses and sighs.
It requires a bit of intelligence
and imagination.
Your words are delirious,
ridiculous, insane.
I was fond of you, Rudolf,
because you own this album.
Now your outbursts of
envy put me off.
Don’t forget that you’re
dependent on me.
I have to get to the other side.
I know.
Her father is a ship’s doctor.
A small steam boat
with wheels at the sides
is waiting for her
every night at the pier.
It’s lights are off.
Don’t go there.
I have a bad feeling.
Don’t worry. I may seem excited,
but I have my fears.
Won’t it be safer to look through
the stamp album?
You haven’t seen New Mexico.
Remember that there
is no final Mexico.
Behind every Mexico
there is a new one.
They only seem dead.
The don’t have to breathe
for a longer period.
These villains won’t be
characters in novels.
They’re just a makeshift creation,
a one-time thing.
They were caught at a moment
when their obsession,
their madness was real.
Skilfully prepared, it became
the core of their new existence.
A new man was created
in the image of a mannequin.
This is anarchist Luccheni,
assassin of Empress Elisabeth.
And this is Draga,
the demonic Queen of Serbia.
Edison and Bismarck.
"Leatherstocking".
This is a young genius,
the pride and hope of his family.
Addiction to masturbation
ruined his life.
Unfortunately, they’re not authentic.
But we put a lot of effort
into making them look good.
Their faces are pale,
flushed from
the illness they died of.
Now take a look at
Emperor Franz Joseph.
Wrinkles on his face make him
look like he’s smiling.
But when you come closer,
you see that
his smile is just a grimace
of bitterness and terseness.
He had a younger brother,
so different spiritually
and ideologically.
This unfortunate antagonist,
disadvantaged by birth,
was Archduke Maximilian.
The emperor loved him secretly,
but planned to get rid of him.
He appointed him commander
of the Levantine Ship Squadron,
hoping that he’d go under.
Later he signed a secret alliance
with Napoleon III.
That’s him.
He used deception to involve
Maximilian in the Mexican incident.
This creative young man
renounced his Habsburg title
only to ride aboard
the French liner "Le Cid"
right into a trap.
Some sources say
he was just a cousin.
Others that he was never born.
He was conjectured from the fears
and hallucinations the emperor
experienced while sleeping.
We had problems putting
him back together
after his execution in Vera Cruz.
Unfortunately,
he still suffers from amnesia.
I had to teach him everything
about his life again.
My only success is that
at the sound of the name
of Emperor Franz Joseph
he draws his sword.
He wounded Victor Emmanuel.
The latter didn’t manage to get out
of his way quickly enough.
Bianca...
and Maximilian?
It’s a simple mechanical trick.
When wound up he moves
and acts like a live person.
A simple mechanical trick,
my foot!
A cynic in the tropics.
No, a tropical cynic.
And Rudolf said I exaggerated
and made things up.
They should take their medicine
and be in bed by now.
It’s not good to keep them
on stands for so long.
I can smell curare.
Would you like to see
my collection of weapons?
So my intuition was right after all.
Under the cover of law
and order hair-rising things
are happening here.
Will you tell me who Bianca is?
Her mother was a Creole.
Archduke Maximilian called her
lovingly Conchita.
She went down in history under
that name, through the back door.
Her mother?
You mean grandmother?
Mother.
After Maximilian’s downfall,
she took her daughter to Paris.
She lived on a widow’s pension.
That’s where history loses track
of our touching character.
Allow me to finish for you.
It’s confidential!
Keep calm and control yourself.
100,000 pesos.
My business is not going well.
It’s an expensive project.
In 1900 a Mrs. de V,
a woman of exotic beauty,
leaves France and goes to Austria
with her daughter and husband,
having fake passports.
They get arrested in Salzburg,
while changing trains to Vienna.
After checking his fake passport,
Mr. de V is free to go.
But he does nothing to get
his wife and daughter released.
That very day he goes back
to France and is never seen again.
I will be the one to identify him.
150,000 pesos.
You’re so uncompromising.
What do you want?
Your decisions will show
if you’re aware of the situation.
- I want facts!
- Stop!
I think Bianca’s origin
has been confirmed.
Negroes!
Hordes of Negroes!
Negroes at this time of the year?
The barometer
must be at its lowest point.
Bianca?
I thought you’d never get here.
- Sit down.
- No, infanta.
I have to do duties
which fate has assigned to me.
I have to carry out my plan.
Did you bring anything to read?
Decrees. Sign them.
"Daisy, Daisy give me your answer".
Barrel organs everywhere!
Real marvels of technology.
They may come in handy.
Things went so far that
I got involved in the dynastic
affairs of great monarchs.
I think we’re in trouble.
Let’s think about betrayal.
- Betrayal?
- Yes.
- Betrayal?
- That’s right.
Do you have a better idea?
I don’t understand.
It must be a wonderful feeling.
To penetrate the depths
of villainy and erase oneself
from one’s own memory.
Wouldn’t you like to be defiled
or repulsive for a moment?
But totally renewed.
Do it.
You’ll become one of them.
One of those black Negroes.
Now that things are at the final
stage you want me to betray?
You’re ridiculous with your
faithfulness and sense of mission!
- What if I chose Rudolf?
- No.
I prefer him a thousand times
over you, a boring pedant.
He would be obedient.
Even when it came to crime
or self-destruction.
Rudolf obedient?
Do you remember Lonka,
the washerwoman’s daughter?
You played with her
when you were a little boy.
- Yes.
- It was me.
Only I was a boy at that time.
Did you like me then?
Bianca, I feel everything
is going the wrong way.
Must you disappoint me?
May I see your tickets, please?
Conductor...
What is going on here?
Take it easy. Don’t panic.
We’ll fix everything quietly.
We don’t need help.
Normal facts are arranged in time.
They are threaded on it...
...like onto a string.
It’s important for
narration and continuity.
Fine.
What about events
which have no place in time?
Events which
have occurred too late,
when time has been allocated?
Is time too tight
to take in all events?
Time has its side offshoots,
somewhat illegal and dubious.
But we can’t be too fussy
when dealing with events
that cannot be classified.
Who knows? Maybe all the dirty
manipulation is behind us.
We’re heading to a dead end.
Exactly.
How can I get out of here?
Why don’t you try going
under the bed again?
- Excuse me, I have to go.
- Coward!
I hope to come back again.
Coward!
Stupid coward.
It’s you.
You don’t look well.
Everything is mixed up, father.
Father?
It takes a lot of patience to find
the right words in this confusion.
You can do it by grammatical
analysis of sentences and tenses.
What? I don’t remember.
I am, he is, she is...
I’ve got it!
You are, we are!
They are...
You need to eliminate
flirtatious chatter of birds,
their pointed adverbs, prepositions,
and timid personal pronouns
to find a healthy grain of time.
Legend books,
unwritten books, great epics,
pallid and monotonous
nameless novels,
faceless giants,
dark evening stories,
cloudy dramas,
errant and lost books.
You must have a lot of work.
The light on in your room
late at night.
Try. See if you can do it.
Fascinating!
What a beauty!
Remember. Paradisea apoda
or the bird of paradise.
Cardinalis cardinalis!
Chrysolophus pictus.
Upupa epops.
I want you to take
something with you.
Anything, at least a tiny bit.
Get it into your blood,
your life and save it.
And live with it.
Come in!
Go now.
They’re looking for you.
I don’t want to be disturbed.
Go.
Go!
Go!
Look at you.
You’re covered in cobwebs.
You ripped your coat.
You’ve been in the attic again.
Shop assistants steal from us,
people buy on credit only,
and you just play around.
Take it to the shop.
Your father must be hungry.
The shop!
They’re looking for you.
It’s hot.
Who?
The shop assistants,
especially Teodor.
I know. They’ll be climbing
the ladder up and down.
Up and down.
Józef!
I wish you
had been born earlier.
Come!
Take it to them.
It’ll scare them.
Adela, Holofernes was a man.
Whatever. I kept her in borsch
to make her look better.
I’ll buy it.
Lay off. It’s not for sale.
What? The head is in a shop,
so it’s for sale.
I’ll buy it.
Father!
Take it away.
There’s no room here.
Stop bothering me.
I’m busy.
Jakub! Go on, trade!
Father!
Wake up, Józef.
I know you’re exhausted.
It’s only a few steps more.
Father, you’re ill. You should
take care of yourself.
Can you hear him?
He’s coming.
I know him since childhood.
We went to school together.
That egoist disgusted me.
He devoured lots of buttered rolls.
Go and meet him.
He’ll think I ignore him.
Go!
If I’m not mistaken it’s Józef,
Jakub’s son.
May the sky over your heads
always be blue,
and the ground under
your feet moist with dew.
I don’t think I need to say that.
You can hear their shop
is as busy as a beehive.
It’s just appearances
and pitiful mystification.
Mother complains
that people buy on credit only.
- What did he say?
- Credit.
- I must have misheard.
- I could have expected it.
- They sell on credit.
- Enough! I don’t want to hear it.
Why do you keep bowing?
Turn your ear and listen
to the words of the wise.
Apply your heart to my teaching.
I sold for cash.
Help our fellow man
as much as we can,
but be vigilant
we don’t fall ourselves.
The seven years of plenty
will come to this land.
It was Christian Seipel and Sons,
owners of weaving mills.
The rich man laboured
in gathering riches,
and when he rests he shall
be filled with his goods.
The poor man laboured
in his low way of life,
and in the end he is still poor.
Come.
She doesn’t show up
in the park anymore.
They must be guarding her.
They smelled danger.
It’s nothing but humbug!
Extraterritoriality! Mexico!
Maximilian! Cotton plantations!
Enough!
Who told you that?
The files of this secret conspiracy
were never revealed.
I’m the owner of
this stamp album.
I won’t lend it to you again
for such purposes.
I must admit that
the whole thing is incredible.
Unbelievable.
What do you think, Rudolf?
Who could have conceived
such an evil idea,
which goes beyond any fantasy?
I’m amazed myself.
Tittle-tattle!
Our partnership is over!
Suit yourself.
I said I would prove
that it was all true.
- Where is Mr. de V?
- He’s left.
We’ll see.
Where is the infanta?
Her Highness has left too.
Nobody is here.
Right. Get out.
Somebody must have
betrayed me.
Abra...
Abra?
Abracadabra.
Great.
Come on. Get up!
Haleiwa!
Vienna!
Bravo!
Mount your horses, gentlemen!
Haleiwa!
- What’s going on here?
- This way, Your Highness.
Forward!
Gentlemen,
I troubled you in vain.
These people are free to go.
Don’t harm them.
In my blindness I wanted
to preach the scripture,
to interpret God’s will.
My false belief made me
pursue obscure clues
and make random conclusions.
Allow me, my friend.
Noble gentlemen and you, infanta.
I hand the regency to Rudolf.
I abdicate!
You’re free, noble gentlemen.
Thank you in the name
of our idea.
Our dethroned idea, which...
Hurry!
Hurry!
Father!
Call Garibaldi.
He’s an expert on wounds.
Bianca.
Get a stretcher.
Hurry!
What a fatal night.
I didn’t foresee it.
He had a noble heart after all.
I have wronged him.
Rudolf, you must comfort Bianca,
love her with double love
to replace her father.
You want to take him with you?
Let’s form a procession.
Form a procession!
One more thing, Rudolf.
I should be the one
to provide for the old age
of those homeless heroes.
Unfortunately I’m a pauper.
- How much?
- Ten thousand.
- Five.
- No.
Twelve.
Gentlemen! After what happened
no wax museum will take you in.
Competition is big.
As you have no practical skills,
my friend made a donation
to purchase twelve barrel organs.
Go around the world
and play to make people happy.
You can choose the music.
Now, dear friends
and noble gentlemen,
let’s cheer together:
Long live the newlyweds!
Farewell, gentlemen.
May what you see
be a warning to you.
Don’t ever try to guess
God’s intentions.
Ignorabimus, gentlemen.
Ignorabimus.
Are you Józef, Jakub’s son?
Maybe. Yes.
Did you dream the standard
dream of biblical Joseph?
Maybe.
Well?
Do you know that your dream
was noticed at the highest level
and was severely criticized?
I’m not responsible for my dreams.
Yes, you are.
You are under arrest in the name
of His Imperial and Royal Majesty.
I’m at your disposal.
His Imperial and Royal Majesty’s
bureaucracy is a bit slow.
I have surpassed that early dream
with more serious deeds.
I wanted to do justice
and kill myself.
Now that obsolete dream
has saved my life!
- Don’t cry.
- I have a migraine.
Come. We’ll make tea.
Is Adela at home?
Adela left to America.
She left?
She went by ship and it sank.
All passengers died.
We never heard from her again.
What about father?
Where is he?
He left many times,
but it was never final.
It had its good points.
This way he prepared us
for his ultimate departure.
Take me to him.
All right.
I think it’s time for you
to see him.
The shop is closed for good.
Sometimes I go down there
to sell the remnants.
But the shutters
are only half-open.
He was one of those
whose face was touched by
the hand of God while sleeping.
They know
what they don’t know.
They become speculative
and suspicious.
Through closed eyelids
they see images of distant worlds.
For man goes to his eternal home,
while mourners go about
in the street.
Before the silver cord is broken,
and the golden bowl is crushed.
The pitcher by the well is broken,
and the wheel at
the cistern is crushed.
Then the dust will return
to the earth as it was.
And the spirit will return
to God who gave it.
I’m so glad to see you, Józef.
What a surprise.
I feel so lonely here.
Although I can’t complain.
I’ve been through worse things.
I must tell you something.
But don’t laugh.
I rented a place for a shop here.
It’s nothing much.
Back home I’d be ashamed
to have a stall like that.
But here we had to pull
in our horns.
Isn’t that right, Józef?
Life goes on.
I must have overwound it.
I see you’re sleepy.
Go back to sleep.
You have no idea
how hard it was to get a loan.
People here
don’t trust old merchants.
Merchants with past experience.
Do you remember the optician’s
shop in the market square?
Our shop is right next door.
We don’t have a sign yet.
But you’ll find it.
You’re going out without your coat?
I couldn’t find it in my trunk.
They forgot to pack it.
Take my coat.
No. See you.
Jakub! Go on, trade.
Why don’t you sit down, father?
You’re ill. You should
take care of yourself.
Stop bothering me.
I’m busy.
A letter came for you.
It’s on my desk among papers.
On my first day here
I was served
an excellent fillet of beef
with mushrooms.
It was a hell of a piece of meat.
I have to warn you.
If they ever want to
serve you fillet of beef...
Fillet of beef...
I still feel fire in my stomach.
I have diarrhea after diarrhea.
It’s really tough.
Or take, for instance,
hunter-style roast,
stuffed with pate with gravy.
Here we don’t have to deny
ourselves anything.
We can afford
to indulge big style.
An angel of a boy.
So precious.
You must admit he’s charming.
Got a light?
Even schoolgirls here wear
bows in a special manner.
If you as much as glance at them,
you get that sultry look...
which fills us with desire.
I have to see the doctor.
He’s at the restaurant.
I’ve just been there.
Sorry.
I meant the operating room.
We’re evidently in a trap.
Ever since I came here,
the sanatorium personnel
hasn’t done anything
to provide proper care.
We’re left to ourselves.
I can’t get a bed,
not to mention clean linen.
Those secrets and discreet looks
of yours are just a mystification.
I feel like opening all those
doors to expose the intrigue
we got involved in.
Get some sleep.
You can hardly keep on your feet.
Józef, Józef...
I’ve been lying in bed here,
left without any care.
The wires have been cut.
Nobody comes to see me.
Nobody can make me
a cup of tea.
My own son has
abandoned his sick father
to chase girls in town.
Józef, you should go
to our shop more often.
The shop assistants
are stealing from us.
Our shop will go to waste
if nobody takes care of it.
Look, my heart is pounding.
My strength is leaving me.
Józef, was there
any mail from home?
Doctor...
You’re not looking well.
Take your jacket off.
I’ll examine you.
Your irritation is justified.
Your body,
especially your nervous system
has to adjust to new conditions.
We were deceived by an ad.
It wasn’t a good idea
to send my father here.
Moving back time!
It sounds good.
But what is it in fact?
Do we get fully valuable
and credible time here?
No. We get time
used up by people.
It’s frayed and full of holes.
It’s vomited, secondhand time!
You may question the quality
of your father’s existence,
but you can see him
and talk to him.
You should be
very grateful to the doctor.
Enough! Space is for people.
In space you can swing around,
turn somersaults,
jump from one star to another.
But don’t tamper with time!
The blame for this lies
in fast decomposition...
Of time.
We all know that
this chaotic element can be
kept within certain bounds
if regulated continually.
If not, it begins to play
all kinds of tricks.
Isn’t that right?
You should take better
care of yourself.
Wear warmer clothes.
To start with, get some exercise.
Later we’ll see.
Chin up!
It’s lucky that father
is no longer alive.
It won’t affect him anymore.
|
五光十色,怪异诡谲的梦境!
将现实、幻觉、梦境、回忆杂糅于一体,通过诡异的蒙太奇手法转场,让人摸不着头脑。
好吧,说实话,我没看懂........
我连看了三遍,同时将《沙漏做招牌的疗养院》看了大半本,才模糊地理解了导演想表达的情感。
时间啊……
父亲母亲啊……
战争啊……
书籍啊……
一切似乎都失去了意义,留下的只有麻木的我们。
导演:沃伊切赫·哈斯
编剧:沃伊切赫·哈斯、布鲁诺·舒尔茨
主演:扬·诺维茨基、塔德乌什·孔德拉特、伊雷娜·奥斯卡、哈利娜·科瓦尔斯卡、格斯塔·霍洛贝克、博泽娜·阿达梅克、卢德维克·伯努瓦、维克托·萨德茨基、塔德乌斯·施密特、埃米尔·布恰茨基、杰吉·特雷拉、
语言:波兰语、意第绪语、希伯来语、拉丁语
又名:沙漏、沙漏疗养院、用沙漏做招牌的疗养院
获得当年波兰电影奖最佳产品设计奖及第26届戛纳电影节评审团奖并提名金棕榈
电影取材自犹太裔波兰作家布鲁诺·舒尔茨的短篇小说集《鳄鱼街》,故事保留了中短篇《用沙漏做招牌的疗养院》的叙事主线:男主约瑟夫探望在一间疗养院休养的父亲,院长自称可以通过拨回时间而让弥留之际的病人残活于反复的二手光阴,而整部电影也在此设定下演变成一出关于时空的魔术秀场,一座流动意识与梦魇的恐怖展览馆。哈斯穿针引线整合了散落在原著各个短篇中无家可归的灵魂,让其在电影的隔绝空间内共襄盛举,既将小说的碎枝乱蔓完整网罗,又构筑成导演自成一体的视觉图谱与隐喻系统。
故事背景设在二战前期,男主乘坐一辆奇怪的列车去看望住在疗养院中垂死的父亲。但这个即将拆毁的地方唤起了他许多过去的回忆。他被过去的士兵、殖民地的雇佣兵、昔日生活中的女孩,以及他的父母所包围……。很多处看得非常感动,画面感很好。对父子的感情描写得抽象又细致,有个递进的过程,个人感觉更像是一个心中有愧的青年来到养老院看望临终父亲的精神描摹,但视角有些利用父亲的神志不清。全片太有梦的状态了,要知道还原梦有多难。
片中有这么一个场景,约瑟夫爱上了隔壁的姑娘比安卡,为了调查其父亲的身世,约瑟夫前去蜡像馆探个究竟。在其步入蜡像馆后,另一个之前从未出现过的天地横亘于眼前,约瑟夫狂喜的内心外化到异于寻常阴暗的色调上,瞬间变得瑰丽奇幻。他游走其中,移步换景,此处虽为长镜头,不同蜡像之间的无缝转接亦形成接力式的高密度信息传递,反而达到了一种空间上的守恒,这期间仍然包含了相当丰富的涵义,在视觉画面已经相当复杂的情况下画外空间也被拓展开来——插入了混杂不清的声效(仿佛来源于精神病院的哭喊),意义的负荷度已达到了空前的极限。更为重要的是,这些繁复的影像语言组合传达了舒尔茨对蜡像本身的阐述:“蜡像的样子与前世相差甚远,闪亮专注的眼睛完全被夺去了记忆,他们是假冒者,他们或许真是疯子,选择某个准确的时刻拼命捕捉进入头脑的某个精彩的思绪,定格在那里,一个新的人诞生了”。
纷华靡丽的长镜,巧夺天工的转场,忽明忽暗的灯光,这些元素营造了一场盛大的灵魂之旅,非线性叙述,用电影来透析死亡,以寻找父亲来掩盖这场盛大而华丽的步死之旅。用视觉中心主义来淡化剧情,用饱满的意象作为内容展示。哈斯在自己的电影世界中,建立了一套以视觉性为标准的认知制度甚至价值程序。在电影中,哈斯使用视觉隐喻来意指那些具有启示意义和真理意义的认识。《砂制时镜下的疗养院》可以说视觉性隐喻贯穿了整部电影,从而形成了一种视觉在场的形而上学,让整部电影的剧情通过视觉性的感受逐渐展开。
柏拉图在“洞穴比喻”中,执迷于洞穴幻影的囚徒逃向真实世界的过程,就是凭借高贵的视觉亦即心灵的理性之眼获得真理之启示的过程,是囚徒摆脱枷锁获得真我知识的过程。
哈斯设置了一个寻找父亲的男人,而故事的背景设置在二战前期,在寻找父亲的过程中,这个角色并不是按照常规叙事的模式来完成整个寻找的过程,而是摒弃了真是叙事的模式,让角色完成一种心灵之旅。一顶帽子,一支蜡烛,一辆火车……这是一个列车长的形象,也是一个引渡人的形象。在塔可夫斯基的《乡愁》里有一个很长的镜头,主人公拿着蜡烛一次次护着蜡烛从一头走向另一头……这里面有个传说,只要蜡烛不灭,在另一头插上,就能回到故乡。塔可夫斯基拍这片子的时候身在国外,因为政治原因回不了国,《乡愁》可谓就是这次的心境,代表了自己的思念以及希望。而《砂制时镜下的疗养院》那一支蜡烛同样表现出了哈斯以及布鲁诺·舒尔茨的乡愁以及希望。
布鲁诺·舒尔茨是波兰伟大的作家,受到卡夫卡影响,他的创作是荒诞与超现实的,但与卡夫卡不同的是——卡夫卡的作品更多表现出的是存在主义,是时代的荒诞与虚无——舒尔茨的作品在表现荒诞与虚无中还暗含了自己对生自己的地方的一股浓浓怀恋,从其的《祖国》等小说可以看出。作者的作品通常是受时代影响的,所以舒尔茨的这些情感可以追溯到波兰不堪入目的近代史,分分合合被侵吞被瓜分的历史。一次世界大战以前,波兰就已经处于被瓜分的状态,俄国法国普鲁士等,波兰主流政党流亡于国外,国内剩下的是傀儡政权。一次世界大战时,波兰人希望通过战争来收回失地,然而获胜国在瓜分利益时忽视了波兰,并没有给予他们本来的国土。直到三十年代波兰才建立了一个算是有完整主权的国家,然而很快又被强国们出卖给了德国。
本片是沃伊齐希·哈斯最诡异却最迷人的超现实主义作品,影片中随处可见的政治宗教以及多处隐喻也是颇为精彩。哈斯用鸟类、食物、蜡像等多种形象,既达成了电影意向的构建,也完成了对于战争历史的指向讨论。影像风格与布鲁诺·舒尔茨的作品风格一样,是不可归类的(超现实主义、象征主义、表现主义、现代主义皆可)。
影片充盈的想象力,对于后世影史作品的影响也是显而易见的。工人歌舞表演时使用的咏叹旋转镜头,在匈牙利诗意电影导演贝拉塔尔的电影中可以多次找到对应,如《鲸鱼马戏团》;对于奇观的塑造,环境背景音和色彩恰到好处的拿捏似乎在科波拉的《现代启示录》中得到了传承;梦境和现实的交织、荒诞的宗教隐喻,特别是房间里裸女的情色暗示,又很难不让人想到南斯拉夫导演库斯图里卡的史诗巨作《地下》……哈斯将奇观和政治、哲学的隐喻融为一体,不能不让观影者彻底沉浸于他编织出的奇幻世界中。
素材来源于网络,侵删。
马丁·斯科塞斯呈现:波兰电影杰作 第八辑
盛佳蓝光标注
说因为疗养院是影射走下坡的波兰政府,1973年其实不被允许选送戛纳,是偷偷“走私”到了法国然后拿下的评审团奖。Has刻意用三个不同颜色滤镜来拍三条时间线,勾兑编织在地狱灵界似的疗养院里,处处诡异影射二战法西斯对波兰犹太人的迫害屠杀。时间不是直线,而以螺旋状循环轮回在两个平行世界。很妙。
喜歡時空的穿梭。可是電影對白高度詩化,難以理解。
太强大了。很多处看得非常感动,快刀的字幕翻译虽然有点别扭,但可以自行脑补其中诗意,画面感很好。对父子的感情描写得抽象又细致,有个递进的过程,个人感觉更像是一个心中有愧的青年来到养老院看望临终父亲的精神描摹,但视角有些利用父亲的神志不清。全片太有梦的状态了,要知道还原梦有多难。
我穿过一个疯子的葡萄园,那里遍地横陈着死亡的盛宴;从一个出口爬到另一个出口,诗歌和极乐鸟在头顶盘旋,告诉我什么是永恒的
太奇幻的时空交错哲学片了,没能看懂,先标。。重看再更新。。这片production design、摄影什么的都太强了,修复版值得等
截止当下,本人看过的最诡异、怪诞、奇幻的电影,没有之一。电影从不合常规的列车车窗外的枯树杈开始,男主角下车经过乱葬岗步入所谓医院的城堡,结满蜘蛛网的餐桌,凌乱摆设与父亲、母亲、幼时偷窥的妓女、恋人……蜡像馆、父亲的病房、父亲的布店……毫无逻辑,场景如同梦境版切换……是场梦?还是临终前回光返照式的人生回溯?值得一提的是这部波兰电影拍摄于1973年,编导的想象力实在丰富,但是这部肯定不能获得大多数人的青睐。
#2019欧盟影展##百老汇电影中心#EUFF没有掌声的一次放映,不是因为不好,相反是因为太“神”了。气质独特乃至诡谲怪诞堪比《卡里加里博士的小屋》,男主从坟墓一直爬到阳间的长镜头惊世骇俗,也是影史经典收尾之一。卡夫卡式的怪诞,浮生若梦亦真亦幻,那个气氛诡异可以让时间静止甚至倒流的疗养院,未尝不是《魔山》的翻版,是生死爱欲的另一场放荡投影。除了亦生亦死似疯未疯的男主约瑟夫,那个存活在回忆里的父亲是影片的另一主角。过去乃至人类历史都是鲜活荒诞的,而现世却是死一样的静寂,宛如瘟疫过后的屠场。鸟的死亡预示着什么,人的消逝又有何种意义?电影主要还是在讨论时间,操控时间本身值得商榷,让腐烂的梦魇一般的过去重现更是罪恶,时间就像上帝的一张神秘之网,深陷其中的人们欢笑哀嚎却无济于事,时间永远不可抗拒。
我的记忆,它们本是游荡和迷失的书页,如今在异象之间,它们终于结集,尔后引诱我进入沙漏滴成的泥潭,迫使我重返,迫使我面对:我是无人收聚的羊;我是虫蛀的衣裳;我是灭绝的烂物。我制造的记忆如今制造了我,我穿行而过的语句如今穿行于我,最终它们一页一页,与我的一切一同消耗在无指望之中。
如同对陌生人的梦境毫无兴趣。
幻像在回憶中盲目遊走,時間就像是沙漏,不斷地倒置,不斷地流瀉。
8.0/10。FUCK!!!!!疯人院协奏曲。这片简直太让我想起祖拉斯基了。异端,恐怖,奇幻,隐喻,谜一般的赏心悦目;色调、服装、布景、构图、台词、镜头,如痴如狂,如梦如幻,牛逼得有些过份。|我借此火得度一生的茫茫黑夜。这是波兰人自己的《格利佛漫游记》。
一眼就被看穿了;布景、灯光太舞台化了;表演差;剧本在耍猴
断瓦残垣营阴梦,踽踽独行不可拒;命将终寝旧经复,气若游丝冢前挣。
村上当年是否看过这部电影,那里多像初冬的阿美寮。这是梦,所以剧情衔接完全凌乱,但可以感知到主线和背景:寻找晚年的父亲,家乡的店铺,小镇,童年的历险,隐秘的欲望,交织纠缠。日有所思,夜有所想,他的乡愁浓烈。美术超赞超花心思,73年的电影,且都是物理设景不会有电脑特技的侵袭。2014.5.17
很奇幻很诡异,不知道波兰还曾拍过这种片子,那是1973年啊,很可惜原著没看过,不是很能搞懂其中的意思,但大致还算分明,镜头很有意思,音乐和美术十分出色,场景也很迷幻!
2019-12-10欧盟影展重看,跟着长镜在这座时间折叠朽坏、空间迷失迂回的迷宫里漫游,真的宛如做了一场长长的梦。改编自布鲁诺•舒尔茨《用沙漏做招牌的疗养院》,但也糅合了其他短篇的事件,完整复刻大量意象---在时间断裂的错层里,一个不断出走、无限复活的父亲,女王般的女管家阿德拉,丑陋鸟群(舒尔茨特别偏好)、变形蟑螂、由盛转衰的布店。这座疗养院是一列时光列车,事件充斥每个车厢,无关紧要的事无处安放,经常串联到其他车厢(时空);更是一个巨大的放置时间切片的抽屉,可正反序放映或重组,每推开一扇门就是一个全新或已踏足过的时空黑洞。于是他重游经历了各种大事件,近现代历史被微缩进这个时间迷宫,这是「反刍的、二手的」时间。迷人的废墟景观,超棒的时空转场,想象力澎湃瑰丽,无比强大的东欧超现实啊!
不知道毕赣和杨超看过这片子没 但今年突然出现了两个对时间的不确定性如此表达 不由得让人联想到这位波兰大师 然而 如果说哈斯对时间不确定性与进入一个时间无法被限制的空间里的表达是优秀的 那么国内某些人效仿的这个小套路所用的手法只能说是拙劣的
波兰“幻想现实主义”神作之一,某种关于历史和国家的变形表述是这类影片的常态。这部影片根据布鲁诺•舒尔茨的若干短篇小说改编(不只同名短篇),完全是梦的结构,失序的时间循环往复是其最大亮点。影片转场极有想法,广角镜头也用得很有风格。可惜中字太烂看的云山雾罩的……
观于欧盟电影展,天主教国家就是脑洞大,通向死亡的列车,由盲人列车员引路,最后主人公也成了列车员,别具一格的东欧犹太传统,波兰小镇,奥匈帝国开国皇帝弗朗茨约瑟夫的王室争斗,两度穿越,倒叙个人的历史和国家的历史,讨论时间和历史的关系,到最后回归主人公的成长史本身,要素很多,大开大阖。来时刚刚飘雪,前门楼子灯火辉煌,散场的时候已是灯火阑珊,只有雪还在下,观影恍如隔世,一如电影本身。
4.5 如果说看绝大多数电影购买的都是抵达某一处的单程票,而本片却是属于极少数的购买了往返票的电影,只不过回来之后的世界早已不是你出发时的那一个,不可思议的一个接一个的梦境之旅,将线性的一切都彻底颠覆,作为观众也需要抛却一切线性的观影定式,去尝试加入一个疯癫的恐怖狂欢节游行;这不是我读过的那个舒尔茨,这是哈斯与舒尔茨所共同创造的荒诞而可怖的新世界,而两人本分属不同的时代,却能展现共通的属性,更可见时间、历史、人性坟墓深处的那种枯朽、腐坏不会过时