我心深处1978

What's lovely about the bourgeoisie is that they have an exquisite taste (not always) and a level of elegance and delicacy which bring joy to people's life. Eve has an exquisite taste but she's so or, as her daughter said, too obsessed with that.

Joey her daughter, showed her angst toward her mother after her dad married Pearl, a 'vulgar' woman who found happiness in dancing, appreciating African art and in indulging good food and wine.

I think you are really too perfect to live in this world. I mean all the beautifully furnished rooms, carefully designed interiors, everything's so controlled. There wasn't any room for any feelings. None. Between any of us.... You worship Renata. You worship talent. Well what happens to us who can't create? What do we do - what do I do when I'm overwhelmed with feelings about life? How do I get them out? I feel such rage toward you! Come on mother, don’t you see? You’re not just a sick woman, that would be too easy. The truth is there’s been perverseness and willingness of attitude in many of the things you’ve done. At the centre of a sic psyche, there is a sick spirit.

You worship Renata. You worship talent. Well, what happens to us who can't create?

Joey's creativity seemed to have always been suffocated by her mother. Eve's flair in arts had made her the authority in their family, or in young Joey's mindset, the one who set rules for all creativity matters. Lee wrote, in her book Woody Allen's Angst: Philosophical Commentaries on His Serious Films, that "this elite class would pass down its absolutist judgements as to how each person should think, act and appear". Eve's death indicated the demise of this kind of overarching power upon her, and she finally was able to start writing.

To ordinary people like us this film conveys a positive message that, although as mundane as us in this world, we have the right to dream and create.

这是伍迪艾伦改变风格后的第二部电影，让我意外的不敢相信这是他的电影。先说画面，干净简洁线条感十足，完全脱离了满是海报，拥挤破旧的房间。可就在这个大到令人神往的房间里，却出奇的让人不寒而栗。这是一个怎样病态的一家人，自持高傲的母亲和三个天差地别的女儿，诡异又顺理成章的搭配，没有了喋喋不休的台词，有的却是无处发泄的情绪和无处安放的神经质。电影中所有人都身着素色，唯有继母一身红裙，让人眼前一亮，人物刻画十分鲜明，不得不佩服伍迪的细腻。

我心深处 家庭片，蕾娜达和乔伊都像是她们母亲一个方面的缩影，蕾娜达感性，富有才华却又疏离，一直恭维，逃避，正如同年轻时的伊芙，乔伊耿直，聪慧却又迷茫，母亲偏爱蕾娜达，正是因为她想回到年轻时那个游刃有余，疏离的女强人，父亲偏爱乔伊，因为他爱乔伊的冷静，爱她不同于俗流的尖锐，但是正如蕾娜达对应的母亲，她也无法留住自己的丈夫，无论是父亲还是蕾娜达的丈夫，他们都更喜欢肤浅的，风情的，什么都不想的逃避。蕾娜达追求父亲的爱而不得，乔伊追求母亲的认可，有所成就而不得，家庭中的每一个人都背负着巨大的痛苦。 正如结尾，最为讽刺的是与母亲接触最少的芙琳反而最为伤心，而姐妹在悲痛之余，甚至多了一丝宽慰，最后说“海水是这样平静。”当爱被磨蚀，留给我们的只是痛苦，还能叫爱吗，于是父亲和蕾娜达的丈夫都选择了出轨。家庭中每一个人都被深深这段关系影响。 摄影还是很不错的，看得挺憋屈的，感觉隐喻性挺强的。

Interiors玩了一个双关，如果理解成“心房”可能更清晰一些。

接近尾声的时候，女儿Joey的一段台词说明了一切："I think you're really too perfect to live in this world.All the beautifully furnished rooms,carefully-designed interiors,everything's so controlled.There wasn't any room for any real feelings.None.Between any of us.Except Renata,who never gave you the time of day.You worship talent."

现代生活中我们追求表面秩序的整齐划一，用审美的游戏营造美好的生活图景，看似充实的外在之下隐藏着早已铺垫的精神危机。

这是来自知识分子的自我鞭笞，也是个被很多人认为是过时的话题。反复讨论后的过时，成为人们免疫并抛诸脑后的理由。

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另外，在剧作上有几个点也反映出伍迪•艾伦的自我剖析和对生活细致的描摹——

比如，Joey在父亲的婚礼前对父亲倾诉，希望他和Pearl幸福，父亲说，你应该亲自去讲。然后婚礼后，看着Pearl略带纵情的舞蹈，Joey反过来却称呼其为“Animal”，这种矛盾和失控，或许又正是这部电影希望让我们理解的。

再比如，Frederick帮Flyn脱鞋的设计很微妙，两人对同一个事件产生了两种念头，以至于后来强暴戏中，男人被再三阻止后仍然认为女方是欲迎还拒，表示说女方一直在和自己调情，女方则完全没有意识到自己曾经对男方有过任何暗示。这场冲突，最后只能是在撕裂中仓皇收场。

成熟的创作者并不会对人物进行简单的价值评判，而是通过具有说服力的台词和表演，让我们看到每个人复杂幽微的内心。言不由衷，也许才是生活的真相。