量子
缺集或无法播，更换其他线路.无尽
缺集或无法播，更换其他线路.非凡
缺集或无法播，更换其他线路.剧照
剧情介绍
心中的故乡电影免费高清在线观看全集。
Synopsis Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her. Notes "A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea." A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as "a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation." Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles. Afterword: - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.午夜惊魂2003安稳觉售后服务犯罪都市2小姐姐请回答敌后英雄烤肉店明日，战争爆发时天蓝地黄杀死比尔2诱拐法庭～七天～ 誘拐法廷恋爱的母亲们前任的诱惑最后一次2001四海一家1991整容室 第三季透明人崔长寿超红同人作家猫屋敷想被认同而闹别扭家有一宝钢之炼金术师极速世界之战车无限接近80后吹事班野山鹰垫底天才卧虎藏龙爱恨情仇2005堡垒：印度篇监狱不设防年度最佳学生2玄虚解语魂断秦淮蚊子海岸第一季海上密室谋杀案第一女儿看见你便想念你情事1991Q10巴比伦柏林第一季新鲜1994致命酒店与君行女马帮
Synopsis Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her. Notes "A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea." A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as "a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation." Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles. Afterword: - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.午夜惊魂2003安稳觉售后服务犯罪都市2小姐姐请回答敌后英雄烤肉店明日，战争爆发时天蓝地黄杀死比尔2诱拐法庭～七天～ 誘拐法廷恋爱的母亲们前任的诱惑最后一次2001四海一家1991整容室 第三季透明人崔长寿超红同人作家猫屋敷想被认同而闹别扭家有一宝钢之炼金术师极速世界之战车无限接近80后吹事班野山鹰垫底天才卧虎藏龙爱恨情仇2005堡垒：印度篇监狱不设防年度最佳学生2玄虚解语魂断秦淮蚊子海岸第一季海上密室谋杀案第一女儿看见你便想念你情事1991Q10巴比伦柏林第一季新鲜1994致命酒店与君行女马帮
【3.0】很透明化的故事，男孩、美丽寡妇、母亲、住持，四个重要角色的性格、自身困境、以及他们与外界的冲突，都被简明扼要交代清楚了。这样一个全然小品化的故事平淡朴实地叙述下来，还挺相似于日本电影的味道，当然那个时代的韩语电影制作要撇开日本电影的影响也根本不可能。
难得的早期韩国老电影
这个片子主要的亮点可能是对那个年代常见的矫情做了一定的改良和深度的挖掘
沒媽的孩子像根草TAT
乏善足陳
这部电影通过消除多愁善感而不受影响地捕捉山寺的安静生活，成为韩国1940年代电影制作的新高峰。
1:17:39
因贫穷抛弃孩子的母亲被视为恶魔，无非是只将母亲视为社会困境的肉身承载，而苦苦寻觅母亲的孩子便是主权受损的国族象征，儒家父权制下的传统母性在被征用为隐喻的同时、也再次被强化了。
因导演和主演的越北而被过低评价的电影。摄影将山水画与透视法结合得相当好，剧本取自咸世德的戏曲<童僧>，首位呼应的环形结构应是后来的改编（编剧和策划明明是同一人，却用了两个名字hh），契合佛教中圆与轮回的思想。亲子离散是韩国民俗剧的老主题了，两个母亲（首尔来的大家闺秀，与猎夫私奔的农家女），两种生活方式（上大学穿西装，山中修行）的对比添了不少张力。影片结尾，도성同当年的生母一样逃离山寺，而错过两位母亲的设定，怕是预示了即便入世也未能寻得向往的城市生活。不过正因离开，才有了“心里的故乡”吧。
真的是老电影，充满质朴真情。
看过留痕
76.46
40年代韩国电影代表作
没法评分，1940的朝鲜啊，唯一我还算熟悉一点的就是朝鲜话，和现在的朝鲜还有吉林朝鲜族更贴近，和韩国的有一定差距
精緻小巧的故事
弃儿将对母爱的深切渴望，投射在崔银姬（代母）身上，渴念落空、憧憬坍塌的痛，是小和尚所不能承受的最大精神之疾，最终忍痛跳脱出束缚的环境，恰是成长涅槃。孽缘爱痛，佛法善恶，如何明心见性？朴素的影像、平实的质感，难得毫不矫情，又情深意长。山寺寂寂，山岚缭绕，摄影挺好。3.5
3.5；思母之心感人，小男孩很可爱，寻母的念头落实到行动，正是其成长的标识，且摆脱了自幼受熏陶的宗教影响，母亲的形象从「佛」变成「人」。
3.5，2019.10.02
6.8/10 东亚三国的公约数，几乎看不到独属于韩影的元素，金基德的仿作可视为本片的反写
真挚古朴、舒缓节制，即没有新派电影苦情感伤的滥觞，也没有光复潮流的意识形态至上。去除搭景完全实景的选择加上精心的摄影使人物与景观密不可分，融为一体，空间内的运动和景深有足够真实的美感与朴素自然的意味。山林寺庙、古建鸟影，一派东亚传统美学的韵味，结尾大全景山叠云绕完全山水画。渴望母亲的孤儿与失去孩子的寡母，常见故事模型却讲的极真挚，萍水相逢的双向缓缓靠近是世间孤苦者的相互慰藉。而后二分冲突的设置，养母-亲母，首尔-乡村，都旨在点明拍摄时代的转变，而变的重点则是怎么脱离悲苦，宗教思维中罪孽传统必将去除，其解决办法则是真心的爱。走出寺庙的新现实主义，在保留冲突中走向了未来。片内或许有着电影史中最好的虚焦设置，在问为何遗弃之时，中景画面的彻底模糊是现实中导演了解现实后的不认苛责，真心善良的体切。