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A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.热播电视剧最新电影替身纸人勇闯大都市奥菲斯恋歌旧爱新欢1981司马相如原样复制抱歉打扰2018书店2017谁在撒谎 第二季大象骗人异世界来的男生音乐玩家第二季摇滚收音机谎言与错觉虎之日云端第二季我和我的时光少年文明冷血追击（国语版）我爱上的人是奇葩第五季一日情人生死对决
A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.热播电视剧最新电影替身纸人勇闯大都市奥菲斯恋歌旧爱新欢1981司马相如原样复制抱歉打扰2018书店2017谁在撒谎 第二季大象骗人异世界来的男生音乐玩家第二季摇滚收音机谎言与错觉虎之日云端第二季我和我的时光少年文明冷血追击（国语版）我爱上的人是奇葩第五季一日情人生死对决